Fashion / ShowTim Soar Womenswear A/W10Tim Soar dresses for London's modern gentlemenShareLink copied ✔️February 26, 2010FashionShowTextDavid HellqvistTim Soar Womenswear A/W10 London doesn’t have that many menswear designers dealing in smart luxury design. Sure, they know how to cut a suit and how to make a trainers look a million dollars, but there is something to be said for oozing qualitative luxury - and still being part of a fairly small click of British menswear designer. This time around Tim Soar managed to crack that nut. He sent out a predominately beige and camel coloured collection – a colour that says wealth more than most. Add to that double-breasted jackets, formal loose pants and a pinstriped coat. This is not a city uniform, more a London dandy look. What gave away the Britishness was an umbrella and sou’wester hats. Explicit eveningwear came in the form of a sheer see-through shirt, paired up with tuxedo belt and smart pants. Soar also showed a black biker jacket over a cashmere coat, but his strangest moment probably came when a model donned an electric blue wig. That was only made up for when he showed off a turtleneck jumper in the same excellent colour. Tim Soar not only showed away from everyone else at Somerset House in his Soho location, but also distinctively put a stamp of decadence on his show and, looking back at the menswear day, also on the entire LFW proceedings. Dazed Digital: What was the main idea behind the show?Tim Soar: It was a sort of Greatest Hits of Menswear idea. I used different influences, cuts and techniques from the Victorian period and onwards. I also wanted each piece to work on its own, with the context of the show and even the look. DD: Anything else you looked at? Tim Soar: There was definitely a 1970s Parisian vibe in there as well! DD: There was a distinct feeling of luxury as well in the collection!Tim Soar: Yeah, I wanted to explore that side of menswear without the clothes being about bling. DD: Almost an understated luxurious feeling even?Tim Soar: Well, I’m certainly not one for loading on too much detailing; I rather keep it slightly understated. DD: There was also a clear British feeling to the collection!Tim Soar: You mean with the umbrella and fisherman’s hat? Yeah, I looked to the fashion of the 1940s and 50s for that as a reference. DD: Favourite piece from the show?Tim Soar: I’m going to be wearing the flares for next season, they feel very right for me!Visit our Entire London Fashion Week coverage »» Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE PumaPUMA and Jil Sander keep it simple with the K-Street Labubu obituary: Rot in hell you ugly little freaksIn the bag! Louis Vuitton gets nosy with new Speedy campaign Revisit this 20-year-old Margiela shoot from Dazed’s March 2006 issueThese photos reimagine Barbara Kruger’s seminal streetwear dropBuy a copy of Dazed MENA to support relief efforts in LebanonGianni Versace is getting a major retrospective exhibitionHat summer! Meet the young milliners taking over London fashionKiko Mizuhara on slowing down, shutting up and touching grassWashing-up gloves have made it out the kitchen Stone Island Marina takes us straight to the source for SS26 Crying in couture: Ellie Misner’s new collection is a beautiful disaster Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy