Arts+Culture / IncomingJennifer Taylor's HollowsphereTaylor's visually intense pieces explore the human mind and 21st century excessShareLink copied ✔️July 21, 2009Arts+CultureIncomingText Liane Escorza Jennifer Taylor's Hollowsphere Jennifer Taylor’s unique world, ‘Hollowsphere’, is an exploration of the human mind and the complex systems that surround us, as well as the ones that we create. Graduating from the Ruskin School of Drawing and Fine Art and following up with a Master in Sculpture at the Royal College of Art in 2007, Taylor mixes materials in an obsessive and labour-intensive detail to evoke crisis, chaos, infinity, and, at the same time, order, with works that often evoke quietness and dreamy freedom.The visual intensity of the pieces demand close attention for a proper understanding of their logic or self-contained microcosmic life. One of the first works is a set of lobes and lobules enclosed within a shell that resembles a dissected brain. These lobules are filled with miniature domestic instruments, from vacuum cleaners to hoses, connective tubing, funnels, lemon squeezers, meat grinders, sausages, chains… all rendered in immaculate white. This combination and contrast of purity and cleanliness with pathological complexity may be an analogy of dreams, of nightmares and of toxic experiences being cleansed, so as to become an abstract form, a mutated version of themselves. There is clearly a sense of order, whether attained by wax-filled spheres or a contrived lightning in her photography. This seems to be an order that has been forced by the system itself, once the objects have taken over, due to humanity’s over-consumption.With six-foot balloons, blown-up to the point of bursting, Taylor closely examines the variety of scales in systems and encourages physical exploration. From an initial constraint and hard element compartmentalized in lobes, to an aerial and spacious family of gigantic spheres, Taylor manages to provoke a feeling of symbolic flow of anticipation (and sudden explosion) towards an unforeseeable, suffocating end. Both tense balloon and junk are fused into a final piece that sums up Taylor’s Hollosphere – in an era of excess, fuelled by greed, these malfunctioning systems may take control, and if so, these forces may absorb us into their own compulsive and unsettling activities.'Hollowsphere' is on until August 8 at Flowers, 82 Kingsland Road, London E2 8DP Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingIs veganism a privilege? Billie Eilish’s take on meat eaters not being animal lovers has divided the internet and sparked a conversation on meat, classism and racism – young vegans and non-vegans alike weigh inLife & CultureArt & PhotographyThis graffiti artist spreads poetry on trucks across BerlinLife & CultureThe potential new Prime Ministers, ranked from most to least terribleLife & CultureThere is nothing more romantic than friendshipBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaBeautyNude awakening: Meet the young people embracing naturismFashionIf you think Olivia Rodrigo looks like a sexy baby, that’s on youLife & CultureThe case for wiping your Instagram grid SamsungLife & CultureWhat went down at Dazed Club’s drop-in skate session with SamsungEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy