MusicIncomingPas Chic Chic Pay Tribute to French PopA considerably less doomy new project from Roger Tellier-Craig of Godspeed! You Black Emperor.ShareLink copied ✔️September 4, 2008MusicIncomingTextPaul Hanford “I’ve listened to pop all my life," says Roger Tellier-Craig, filling us in on the gaps between his rather wonderful new psych pop project Pas Chic Chic and regular work as paid up member of Quebec’s legendary post rock collective. “I discovered Scott Walker’s early stuff right before I joined the Godspeed! crew, and I’ve been obsessed with his oeuvre ever since.”Au Contraire, the debut album released soon on Semprini Records, is awash with vintage Farsifa organs, the brightest of bright beat pop drums, and boy/girl harmonies as routedly sixties as they are strangely fresh. “Her and I go way back,” says Tellier-Craig about vocal spar Marie-Douce. “We’ve been friends for years and we have a monthly DJ night here at the Casa del Popolo called Nao Identificado.“Oh yes, and it’s all sung in French. “Are you implying that French Pop still exists?” remarks drummer Eric Fillion.“When I was 20 I discovered the music of Serge Gainsbourg, Brigitte Fontaine and Françoise Hardy.” Explains Tellier-Craig, ”This had quite an impact on me as I had always thought francophone music was bad and cheesy. I had this very strong impulse to one day make francophone music that would be rooted in the 60’s tradition of Gainsbourg, but try and infuse it with more of a modernist approach to production. On the last Fly Pan Am record, N’Ecoutez Pas, I started integrating elements of this idea but quickly realized I’d have to actually start a whole new band to fully explore this.“I definitely looked to France as an influence more than the music made here, this might be because the French have a lot more of a history, they’ve been around as a cultural identity for way longer than Quebecois culture who are still trying to define themselves. I wanted to create something that was clearly identifiable as francophone but that could reach out internationally, in the same way the sounds of Os Mutantes, Erkin Koray or Gainsbourg speak to people from all around the world and not exclusively to those who understand the same language. I was hoping to create something that could speak as music in itself." Expand your creative community and connect with 15,000 creatives from around the world.READ MOREFrost Children answer the dA-Zed quizThe 5 best features from PinkPantheress’ new remix albumZimmermannKindred spirits and psychedelic florals: Zimmermann heads to 70s Sydney Moses Ideka is making pagan synth-folk from the heart of south LondonBehind-the-scenes at Oklou and FKA twigs’ new video shootBjörk calls for the release of musician ‘kidnapped’ by Israeli authorities‘Her dumbest album yet’: Are Swifties turning on Taylor Swift?IB Kamara on branching out into musicEnter the K-Bass: How SCR revolutionised Korean club culture‘Comic Con meets underground rap’: Photos from Eastern Margins’ day festWho are H.LLS? Get to know London’s anonymous alt-R&B trioTaylor Swift has lost her grip with The Life of a Showgirl