MusicIncomingThe Phantom Band: Exclusive Video PremiereThe Scottish band debut the video for 'Everybody Knows It's True' and chat to us about face paint, alchemical sci-fi microcosms and their latest albumShareLink copied ✔️February 8, 2011MusicIncomingTextSam Ballard The Phantom Band are an enigmatic bunch, and this video, for the single ‘Everybody Knows It’s True’, does nothing to dispute that statement. Directed by Glasgow-based artist Rachel MacLean, the sequence shows a disorientating world inhabited by the Phantom Band and virtually anything else you can thing of. The visuals work together with the band’s harmonies to create a sinister ubiquity – almost like a nightmarish Beatles video. We caught up with one of the Phantoms (Duncan Marquiss) to find out how the whole thing came about and to see how the reception to their second album, ‘The Wants’, had been.Dazed Digital: How did the video come about? Duncan Marquiss: Andy Phantom knew Rachel the director from an exhibition they both showed at in Edinburgh last year, she had already done some other videos and suggested doing one for us. She put a lot of effort in which is much appreciated.DD: Can you explain the concept? Duncan Marquiss: No, although it looks like some sort of alchemical sci-fi microcosm. Rachel cited Bosch's Garden of Earthly Delights and Jodorowsky's Holy Mountain - all the symmetry and esoteric tinsel. It reminds me of Terry Gilliam animations in Monty Python too, only done with green-screen and after effects.DD: How was it made? Duncan Marquiss: She painted our faces, dressed us in tights and swimming caps then made us dance about like idiots in a freezing studio for hours. She took that material and wove it into the occult pipe world collage.DD: How important would you say art is to the identity of the Phantom Band? How much input do you have with band artwork/ video concepts for example? Duncan Marquiss: I'd separate the band's artwork and designs from art as such, not in a pejorative sense but because it has a different function and context from art practice. However, the band's aesthetics is important to us and we do most of it ourselves; album covers, webshite, etc. It can be difficult to maintain that though and there are lots of stages where you lose control of how the band is portrayed. But then you have to accept that loss of control sometimes and it’s good to hand over a project like the video to someone else. It’s enjoyable to see what other people make of the band and we often don't have enough time to do these things justice ourselves. DD: How have you found reception to the album? Duncan Marquiss: Great, we've been really pleased with the reviews and it’s interesting to hear the trade offs between ‘Checkmate Savage’ and ‘The Wants’. I always think we can't really hear our own music anyway so we need feedback.DD: Plans for 2011? Duncan Marquiss: Building a new base and trying to write more economically built music. The Phanton Band Tour: 07 Mar London Dingwalls08 Mar Norwich Arts Centre09 Mar Leicester The Musician10 Mar Manchester Sound Control11 Mar Liverpool Kazimier12 Mar Clitheroe The Grand13 Mar Newcastle The Riverside15 Mar Invernesss Hootananny16 Mar Aberdeen Tunnels17 Mar Edinburgh Cabaret Voltaire18 Mar Dundee Doghouse Expand your creative community and connect with 15,000 creatives from around the world.READ MORE‘FUCK ICE!’: How Turnstile is reinventing hardcore for the internet ageWill these be the biggest musical moments of 2026?Rising singer Liim is the crooning voice of New York CityFrench producer Malibu is an ambient antidote for the chronically online10 musicians to watch in 202610 great albums you may have missed in the last three monthsZukovstheworld on the UK Ug scene: ‘It’s modern pop music’The only tracks you need to hear from December 202511 alt Christmas anthems for the miserable and brokenhearted Last Days: The opera exploring the myth of Kurt CobainHow hip-hop is shaping the fight for Taiwan’s futureNew York indie band Boyish: ‘Fuck the TERFs and fuck Elon Musk’