Photography Shirlaine Forrest/RedfernsMusicNewsMusic / NewsRina Sawayama calls out Matty Healy’s racism at GlastonburyDuring her Glastonbury set, the singer called out Healy for his controversial comments, as well as suggesting that he owns her mastersShareLink copied ✔️June 26, 2023June 26, 2023TextJames Greig Rina Sawayama used her Glastonbury set last night to call out The 1975 frontman Matty Healy. Over the ominous nu-metal guitar riff which opens her 2020 song “STFU!”, Sawayama said, “I wrote this next song because I was sick and tired of microaggressions. So, tonight, this song goes out to a white man who watches Ghetto Gaggers and mocks Asian people on a podcast. He also owns my masters.” She was referring here to controversial comments that Healy made on The Adam Friedland Show podcast, where he laughed along as the hosts described hip-hop artist Ice Spice as an “Inuit Spice Girl” and a “chubby Chinese lady”, as well as mocking what they imagined her accent to sound like. “Ghetto Gaggers”, meanwhile, is a reference to a racialised hardcore porn site that Healy joked about watching, on which (in his words) Black women are “brutalised”. Healy has both apologised for these comments (on stage in Auckland, he said sorry to Ice Spice) and elsewhere dismissed them as unimportant: in a New Yorker interview last month, he said that the podcast controversy “doesn’t actually matter” and suggested that no-one is genuinely upset. Rina Sawayama calling out Matty Healy at Glastonbury. pic.twitter.com/cBE5rWWtFt— Pop Base (@PopBase) June 24, 2023 As for the claim that Healy owns Sawayama’s masters, this is referring to the fact that Healy, along with the rest of The 1975, are shareholders in Dirty Hit – the record label to which Sawayama is signed. Healy was a director at the label before stepping back from the role earlier this year, but it's still home to The 1975. The next Dirty Hit office party might be a little bit awkward… Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWesley Joseph is the Marty Supreme of R&B (only nicer) How Turnstile are reinventing hardcore for the internet ageWill these be the biggest musical moments of 2026?Rising singer Liim is the crooning voice of New York CityFrench producer Malibu is an ambient antidote for the chronically online10 musicians to watch in 202610 great albums you may have missed in the last three monthsZukovstheworld on the UK Ug scene: ‘It’s modern pop music’The only tracks you need to hear from December 202511 alt Christmas anthems for the miserable and brokenhearted Last Days: The opera exploring the myth of Kurt CobainHow hip-hop is shaping the fight for Taiwan’s future