Photography Dana TrippeMusicNewsMusic / NewsKesha just dropped a new song about Nicolas Cage‘I’m on vacation, Leaving Las Vegas / Request my presence, here’s the number call my agent’ShareLink copied ✔️March 26, 2020March 26, 2020TextSelim Bulut Last year, Kesha tweeted something that we’ve all felt at one point or another: “I love Nicolas Cage.” In January, the pop star and the actor finally crossed paths at the premiere of Cage’s new film Color Out of Space. Afterwards, Cage told USA Today that “Kesha is a great lady, and we had a lot of fun,” while Kesha posted, “Meet ur idols!!!!!!! Sometimes they’re the shit.” Kesha shot down any rumours that the two were dating, but she did write a song about him. Dropped on social media from isolation yesterday, the song references the actor’s classic films, roles, and lines. 👽 I love Nicolas Cage 📸 @ashleyophoto pic.twitter.com/G57PbVLDVA— kesha (@KeshaRose) April 25, 2019 “I’m on vacation, Leaving Las Vegas / Request my presence, here’s the number call my agent,” she sings. “Bitch, I’m a National Treasure, I make it rain in the desert / I got an octopus, I got a pyramid / You think I’m extra? I’m on some Nicolas Cage shit.” You get the gist. The video is captioned “mood” and includes clips from Nicolas Cage films. There’s also a sample of Cage in Kick-Ass saying “Good call, baby doll!” Watch the video below. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREListen to our shadowy Dazed Winter 2025 playlist7 of Chase Infiniti’s favourite K-pop tracks Jean Paul GaultierJean Paul Gaultier’s iconic Le Male is the gift that keeps on givingMeet The Deep, K-pop’s antihero ‘This is our Nirvana!’: Are Geese Gen Z’s first great rock band?10 of Yung Lean’s best collabs‘We’re like brother and sister’: Yung Lean and Charli xcx in conversationIs art finally getting challenging again?The only tracks you need to hear from November 2025Inside the world of Amore, Spain’s latest rising starLella Fadda is blazing a trail in the Egyptian music sceneThe rise of Sweden’s post-pop underground