Bernard MillerMusic / NewsAudio shows police trying to control music in London clubCroydon police have been accused of racial profiling after a recording surfaced of them trying to force a club to stop playing bashment and dancehallShareLink copied ✔️April 18, 2016MusicNewsTextSelim Bulut Last month, police in the south London borough of Croydon were accused of racial profiling in clubs, forcing venues to stop playing black music styles like dancehall and bashment. Roy Seda, owner of Dice Bar, alleged that police had told him the music was linked to crime and disorder, and that he’d be punished for refusing the ban. While the police have repeatedly denied the accusations, minutes from the police force uncovered by the Croydon Advertiser at the time included a reference to a ban on “bashman or John Paul” (referring to ‘bashment’ and ‘Sean Paul’) and claimed that Dice Bar was “not adhering to the music policy”. Now, the Advertiser has released an audio recording that appears to confirm that the police put pressure on Seda, as Thump reports. In the clip, Sgt Michael Emery is heard trying to enforce his music policy, while also insisting that the venue should not be playing drum & bass. “You were told about this before Christmas,” the voice says. “Why has it taken until now to decide now that you want to change the music?” The Metropolitan Police can’t enforce a ban on specific music styles without the approval of the licensing board, which in this instance they didn’t seek. Listen to the recording below and head over to the Croydon Advertiser to read more about the story. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE‘It’s a family affair’: Errol and Alex Rita on 10 years of Touching BassThe 10 best songs about cheating Madruga, the UK dance festival with no backstageThe 5 best tracks from April 2026‘The stage is my ring’: Natanya is bringing WWE energy to popDid this 90s art film actually inspire Beyoncé’s ‘Hold Up’ music video?Kneecap, Erika de Casier, Smerz and more call to boycott Eurovision Ethel Cain’s Coachella stage was a ‘graveyard of American industry’TOMORA are the dance-pop superduo out to ‘connect unexpected people’If Geese are a psy-op, so is everything elseA deep dive into the fan-led SOPHIE archive projectThe secret history of Black British musicEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy