Film & TV / NewsFilm & TV / NewsSofia Coppola says criticism of her ‘bad’ acting ‘didn’t destroy’ herThe director’s performance in her father’s 1990 film, Godfather Part III, was widely panned, but she says critics ‘made her stronger’ShareLink copied ✔️December 4, 2020December 4, 2020TextBrit DawsonSofia Coppola - summer 2017 This weekend (December 5), Francis Ford Coppola will re-release the final part of his Godfather trilogy, with new edits and a new title – swapping Godfather Part III for The Godfather Coda: The Death of Michael Corleone. The 1990 film, little-loved by fans of the franchise, was previously criticised for its convoluted plot, as well as for the performance of Sofia Coppola, who played protagonist Michael Corleone’s daughter Mary. Sofia’s acting was panned as “hopelessly amateurish”, and she was accused of coming “close to wrecking the movie”. Now, in an interview with The New York Times, the father-daughter duo have reflected on Sofia’s casting and the subsequent criticism that followed. “I wasn’t taking things super seriously,” Sofia said of taking on the role. “I was at the age of trying anything. I just jumped into it without thinking much about it.” Sofia was cast in the film after Winona Ryder withdrew due to illness. Coppola said that although “Paramount had a list of many fine actresses”, they were all “older than I felt the character should be”, adding that he “wanted a teenager” who had “the baby fat on her face”. This led to Coppola casting his daughter Sofia, who took the part as an act of goodwill. “It seemed like he was under a lot of pressure and I was helping out,” Sofia told NYT. “There was this panic, and before I knew it, I was in a make-up chair in Cinecittà Studios in Rome having my hair dyed.” Reflecting on the criticism of her acting following the film’s release, Sofia said: “It was embarrassing to be thrown out to the public in that kind of way. But it wasn’t my dream to be an actress, so I wasn’t crushed. I had other interests. It didn’t destroy me.” “It taught me that as a creative person, you have to put your work out there,” continued Sofia. “It toughens you up. I know it’s a cliché, but it can make you stronger.” Coppola saw the criticism as an attempt to scapegoat Sofia for the film’s shortcomings. “They wanted to attack the picture when, for some, it didn’t live up to its promise,” he explained. “And they came after this 18-year-old girl, who had only done it for me.” Sofia isn’t so bothered. “I think it’s so funny that it lingers, all these years later. It’s fine.” Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREGetting to the bottom of the Heated Rivalry discourseMarty Supreme and the cost of ‘dreaming big’ Dsquared2Dsquared2 turns up the Heated Rivalry at Milan Fashion WeekBen Whishaw on the power of Peter Hujar’s photography: ‘It feels alive’Atropia: An absurdist love story set in a mock Iraqi military villageMeet the new generation of British actors reshaping Hollywood Sentimental Value is a raw study of generational traumaJosh Safdie on Marty Supreme: ‘One dream has to end for another to begin’Animalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedWhy Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy