Via YouTubeFilm & TVNewsQuentin Tarantino reveals the gimp’s backstory in Pulp FictionThe filmmaker has shone a light one of the film’s craziest scenesShareLink copied ✔️April 24, 2020Film & TVNewsTextBrit Dawson Since Pulp Fiction’s release in 1994, fans have been asking the same question: who is the gimp? Now, Quentin Tarantino has finally provided an answer. In one of the film’s craziest scenes, Butch (Bruce Willis) and Marsellus Wallace (Ving Rhames) are held prisoner in the basement of pawnshop owner Maynard (Duane Whitaker). While Butch and Marsellus are tied up and gagged, Maynard asks his security guard to “bring out the gimp”. Emerging from a locked cage, the gimp is dressed head-to-toe in a leather bondage suit, and is mute during the whole scene (save for some muffled screams). There’s no information provided about the gimp, leading to fans questioning who he is, why he’s in a cage, and how long he’s been there. In an interview with Empire, Tarantino has offered a brief backstory. “He was like a hitchhiker,” he explains, “or somebody that they picked up seven years ago, and they trained him so he’s the perfect victim.” And what happened to the gimp after Butch’s punch? “It doesn’t quite play this way in the movie,” offers Tarantino, “but in my mind when I wrote it, the gimp’s dead. Butch knocked him out and then when he passed out he hung himself.” The gimp was played by Steve Hibbert, who – until now – was also clueless to his character’s backstory. In a 2014 interview with Vulture, Hibbert explained that he deduced he wasn’t Maynard’s first victim, judging by the cage he lived in. Discussing what it was like to film the scene, the actor said: “Tarantino gave me very little direction, actually. I’d look over at him and he’d shrug, he’d give me a thumbs up, and that was it.” Watch the memorable scene below. Expand your creative community and connect with 15,000 creatives from around the world.READ MORERed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerFashion is filthier than ever at the Barbican’s Dirty LooksCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsGrime and glamour collided at the opening of Barbican’s Dirty Looks How Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary