courtesy of Instagram/@bandrybarry

Barry Jenkins dedicates his Spirit Award to the women behind Beale Street

If Beale Street Could Talk picked up three wins at the ceremony

Last night (February 23) was the night of the 34th Independent Spirit Awards, a diverse and slightly more casual show that acts as an alternative to tomorrow’s Oscars. Boots Riley’s Sorry To Bother You picked up an award in the Best First Feature category, while Glenn Close took home Best Female Lead for her role in The Wife (a win that looks like it could be repeated tomorrow).

Barry JenkinsIf Beale Street Could Talk kind of stole the show, though, with three big wins last night: Best Feature, Best Director, and Best Supporting Female (for Regina King, who is also a favourite for the Oscars).

Notably, Barry Jenkins focused on the women behind If Beale Street Could Talk – and in the film industry as a whole – in his acceptance speech. “I didn’t want to  win this,” he said, before thanking all of the women whose work had gone into the film and who “made it what it was”.

Jenkins also called out the underrepresentation of women in the film industry, saying that women only make up 4% of studio directors and challenging the producers, directors, and financiers in the room to be more inclusive (a challenge that originated with Regina King).

All of this emphasis on women and their struggles and successes at the Independent Spirit Awards – where three of the five Best Director nominees were women – stands in stark contrast to the apparent snubbing of female directors at the Oscars, where the Best Director category is all male.

Read Next
FeatureYoung Mothers, a tender character study of five teen mums

We speak to formidable filmmaking duo Jean-Pierre and Luc Dardenne about Young Mothers, their empathetic new drama about the harsh realities of teen pregnancy

FeatureDarren Aronofsky on Caught Stealing and why we should embrace AI

‘Filmmaking is a technology business’: The director talks to Dazed about his new comedy with Austin Butler, why stand-up shaped his sensibility, and how AI could transform cinema

FeatureMistress Dispeller is a Nathan Fielder-esque doc about cheating men

We speak to filmmaker Elizabeth Lo about her shocking new documentary, which follows a Chinese ‘mistress dispeller’ hired to break up affairs

GuideA guide to the erotic Japanese cinema of Takashi Ishii

From porn scripts to cult slashers, Takashi Ishii carved out a singular vision of crime, desire and neon-lit melancholy