Film & TV / NewsFilm & TV / NewsThe Satanic Temple and Sabrina settle £38m lawsuitNetflix has made a deal with the devilShareLink copied ✔️November 22, 2018November 22, 2018Text Kemi Alemoru After a very public battle between the Satanic Temple and the team behind the spooky Sabrina reboot on Netflix, Satan has won. In a decision that was reached “amicably”, Netflix has agreed to pay the church £38m ($50m) to settle the lawsuit. Taking to Twitter Lucien Greaves, a co-founder of the Satanic Temple bemusingly confirmed the news. “So ends one of the most overpublicized of copyright claims. Press can now stop pretending this was unique & momentous, or even interesting. So, too, hopefully, ends the parade of stupidity from online amateur legal experts,” he wrote. Scenes in The Chilling Adventures of Sabrina featured a monument of the goat deity Baphomet stood raising his gun fingers above two adoring children. At the time Greaves posted a comparison of the figures online. For purposes of comparison... pic.twitter.com/AZJvmq1Cks— Lucien Greaves (@LucienGreaves) October 30, 2018 Throughout the case he used Twitter to air his grievances, particularly to highlight how distastefully the organisation’s symbol was portrayed in the show. He explained: “I’m amazed that anybody is confused as to why we would seek legal remedy over Sabrina using our monument. Would they be as understanding of a fictional show that used a real mosque as the HQ of a terrorist cell? A fictional Blood Libel tale implicating real world Jews?” The 10-part series employed the symbol to illustrate evil, which the church considers a misappropriation – the Satanic Temple say it’s used to “encourage benevolence and empathy among all people”. Later Greaves penned a blog post outlining his legal claims. “We are claiming copyright infringement for their use of our unique Baphomet monument design in their show as a central icon for a cannibalistic cult,” he said. “We are not laying claim to Baphomet itself, but rather our original interpretation of Baphomet that has become a central icon to our organisation, much like a corporate logo.” Real witches have been frank in their critique of the show, Charlotte Richardson-Andrews reporting for Dazed at the time said “any IRL witch worth her salt will tell you, there’s no Devil in the Craft.” At least there’s now an end to this extremely costly case of cultural appropriation. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingThese photos expose the ‘pain, fear and desire’ of relationshipsAshley Markle's Low Hanging Fruit lays bare the complex dynamics of her significant parental, romantic, and sexual relationships in a series of candid photographsArt & PhotographyBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaDazed LeagueThe heart and soul of LA’s exploding street soccer sceneMusicFinn Wolfhard: ‘I’m not just making music to be cool’ReplitLife & CultureWhat Went Down at the inaugural vibeconFashionThese candid photos deconstruct the fantasy of the modelling worldFilm & TV7 films to watch if you can’t wait for The OdysseyFashionThe 7 best shows at Berlin Fashion Week SS27MusicOlivia Rodrigo: ‘A breakup can be an opportunity to redirect your life’Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy