Film & TVNewsWatch the creepy, desolate first clip from Blade Runner 2049The full-length scene sees Ryan Gosling leave the big city for a dystopian wastelandShareLink copied ✔️September 11, 2017Film & TVNewsTextMarianne Eloise So far in the run-up to the highly anticipated Blade Runner sequel Blade Runner 2049, we’ve been offered some tantalising glimpses into the Los Angeles of the future in the form of trailers and a short prequel film that fills in the gaps between 2019 and 2049. Now, the first full clip from the film has been released. Far away from the glittering lights and skyscrapers that are synonymous with Blade Runner, the clip takes us with Ryan Gosling to a vast, desolate wasteland. As Officer K, he approaches the ruins of a dome, which we soon see to be filled with a load of creepy, quiet children. Their caretaker soon reveals himself to be a whole lot more sinister than he first appeared, and as the dome turns out to be a bit of a futuristic sweatshop, we leave the clip with more questions than we had before. In an interview with Slash Film, director Denis Villeneuve recently explained that with his sequel, he wanted to match the original’s tone. He said, “There was a melancholia in the first movie, a nostalgic feeling of loneliness and existential doubt. A kind of inner paranoia about yourself that I wanted to keep alive in the second movie. I wanted to keep the film noir aesthetic alive, as well. That was very important.” While this clip takes us away from the cyberpunk aesthetics of Blade Runner, it’s evident that Villeneuve has managed to replicate the enduring, haunting tone of the original. Blade Runner 2049 is set to hit cinemas October 6 Expand your creative community and connect with 15,000 creatives from around the world.READ MORERed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerVanmoofWhat went down at Dazed and VanMoof’s joyride around BerlinCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionaryHackers at 30: The full story behind the cult cyber fairytale