New York based artist Trey Speegle's paint by number backdrop spelling out 'YES' said it all really, and the poppy colour palette mirrored the last portion of the show which was an excercise in the effect of a ruffle as well as an explosion of primary colour and prints. This was preceeded with simpler looks that focused on daywear staples like the white shirt, a denim button down skirt, casual trousers and was then incorporated with McCartney's trademark suiting.
Photography by Angela di Paolo
