Art & Photography / NewsArt & Photography / NewsThis film pokes fun at all the crazy, rich, white people ruining artFeaturing commentary from Marilyn Minter, Jeff Koons, Gerhard Richter and Jerry SaltzShareLink copied ✔️August 31, 2018August 31, 2018TextLexi Manatakis For anyone who is socially aware or politically engaged, it’s so easy to forget that 99% of the art market is driven by a bunch of crazy, rich, white people who would probably throw down over who owns the most exclusive (and hideous) Jeff Koons. Kris Jenner is one of them, especially when she art-shamed her own daughter for (god forbid) not recognising a Jeff Koons, when in fact, the gold sculpture wasn't even a Jeff Koons (LMAO). “It’s a Jeff Koons: K-O-O-N-S,” she exclaimed at Khloe Kardashian.“You need to go to, like, an art class.” It’s this type of pompous, ludicrous art behaviour that ruins the pure soul-shaking, earth-moving impact of art. The snobbery demeans it as whole and leaves many people with the conception that they aren’t worthy of engaging with art because its something decided by the elite for the elite – even though we know that’s not the case. Director Nathaniel Kahn also understands the pure insanity of art world elite, and his soon to be released HBO documentary, The Price of Everything, explores it from multiple different angles. Everything in The Price of Everything reflects on levels of elite craziness, from the intense violins that make you feel like you’re in a sinister psycho-thriller, to the pure obnoxious statements pouring out of rich people’s mouths: “It’s very important for good art to be expensive“, states an auctioneer to the camera, to which a whole cadre of artists rebut. “They tried to make it that the best artist is the most expensive,” exclaims painter Larry Poons, “...how can that be true?” The film also features appearances from feminist artist Marilyn Minter, painter Gerhard Richter, and art critic Jerry Saltz as they explore how money has devalued art. Bringing art back down to earth is Nigerian painter Njideka Akunyili Crosby, who explains that for her it’s not about money, but about exposure. While money and art will always be interrelated, will this insanity ever permit artists from marginalised backgrounds? No. So why is it still allowed to have a place in our contemporary context? Watch the trailer for The Price of Everything below. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThis brightly coloured art anthology is ending the age of beigeBrianna Capozzi on her distinct eroticism with a ‘bizarre twist’These portraits interrogate the power of celebrity in AmericaWhat to look out for at Art Basel Hong Kong 2026 Sisters, Saints and Sibyls: Nan Goldin’s ode to ‘rebellious sisters’Reggae in real time: Inside Protoje’s Lost In Time FestivalDazed Club photographers and artists who have been on our radar latelyThis exhibition explores the spellbinding quality of everyday lifeLauren Halsey’s ode to the ‘maximalism and excess’ of South Central LAAlice Mann’s photos depict the glamour of South Africa’s prom nightsThese playfully erotic zines capture Williamsburg’s 00s art scene‘This show is like a world’: Collier Schorr on her major new exhibitionEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy