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At an abandoned ballet school in Paris’ ninth arrondissement – its tiles calcified to the walls and floor swept in dust – Lisi Herrebrugh and Rushemy Botter pressed play on “Mad World”. Decapitated dolls and neon-haired Trolls lolloped from belts and pocket chains as models in strange, upside-down tailoring and hirsute porcupine vests put forth this season’s fascination with voodoo and “black magic.”
Photography Jamie-Maree Shipton