As for the collection itself, transparent slips were embedded with flowers, ribbons, and boutonnieres. Lace-embroidered dresses were shaped like pillow cases, the corners pulled taut at the shoulders. Gingham pant suits were hacked off at the armpits, worn with bra tops with each cup whorled into chunky rosettes. Poet-sleeved dresses were ruched around a love heart imprint, while lettuce-like frills outlined body stockings and open-knit two pieces came with wobbly, wired hems. A closing trio – the ostensible wedding dresses in alt-shades of semi-sheer tobacco, grey, and pink – were blown up at the hips with pannier underskirts, and asymmetrical panelling.
Photography Christina Fragkou
