⬅️ Left Arrow*️⃣ Asterisk⭐ StarOption Sliders✉️ MailExit
01
43
Hodakova SS26 0
Hodakova SS26 1
Hodakova SS26 2
Hodakova SS26 3
Hodakova SS26 4
Hodakova SS26 5
Hodakova SS26 6
Hodakova SS26 7
Hodakova SS26 8
Hodakova SS26 9
Hodakova SS26 10
Hodakova SS26 11
Hodakova SS26 12
Hodakova SS26 13
Hodakova SS26 14
Hodakova SS26 15
Hodakova SS26 16
Hodakova SS26 17
Hodakova SS26 18
Hodakova SS26 19
Hodakova SS26 20
Hodakova SS26 21
Hodakova SS26 22
Hodakova SS26 23
Hodakova SS26 24
Hodakova SS26 25
Hodakova SS26 26
Hodakova SS26 27
Hodakova SS26 28
Hodakova SS26 29
Hodakova SS26 30
Hodakova SS26 31
Hodakova SS26 32
Hodakova SS26 33
Hodakova SS26 34
Hodakova SS26 35
Hodakova SS26 36
Hodakova SS26 37
Hodakova SS26 38
Hodakova SS26 39
Hodakova SS26 40
Hodakova SS26 41
Hodakova SS26 42
01
/
43

Hodakova SS26

The use of trompe l’oeil techniques in fashion collections has been steadily rising over the past several seasons. But if there’s one designer that isn’t trying to trick the eye, it’s Ellen Hodakova Larsson, who’s telling it exactly how it is. She’s not trying to make a skirt made from books look like anything other than a skirt made from books – that’s exactly what it is. Last season, the Swedish designer sent a cello down the runway worn as a dress, and a violin worn as a hat. This season, for SS26, she’s moved away from the musical instruments, opting instead for metal umbrella boning – the main material of at least nine looks.
Photography Jamie-Maree Shipton