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Di Petsa AW24

This exploration was first realised via live performances, from Flora Yin Wong on a traditional Chinese instrument called a guzheng, then from Pesta herself with a Greek poetry recital. After this, came the clothes. A version of Petsa’s wet-look dress was held together with crystals, then a floor-length overcoat seemed to be stuffed with hair. From here, a pregnant model appeared with her bare stomach poking from another wet-look frock, while models also arrived in pairs sporting bridal looks and carrying divine, floral offerings.
Photography Morgane Maurice
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