⬅️ Left Arrow*️⃣ Asterisk⭐ StarOption Sliders✉️ MailExit
02
31
Simone Rocha AW24 Cris Fragkou 0
Simone Rocha AW24 Cris Fragkou 1
Simone Rocha AW24 Cris Fragkou 2
Simone Rocha AW24 Cris Fragkou 3
Simone Rocha AW24 Cris Fragkou 4
Simone Rocha AW24 Cris Fragkou 5
Simone Rocha AW24 Cris Fragkou 6
Simone Rocha AW24 Cris Fragkou 7
Simone Rocha AW24 Cris Fragkou 8
Simone Rocha AW24 Cris Fragkou 9
Simone Rocha AW24 Cris Fragkou 10
Simone Rocha AW24 Cris Fragkou 11
Simone Rocha AW24 Cris Fragkou 12
Simone Rocha AW24 Cris Fragkou 13
Simone Rocha AW24 Cris Fragkou 14
Simone Rocha AW24 Cris Fragkou 15
Simone Rocha AW24 Cris Fragkou 16
Simone Rocha AW24 Cris Fragkou 17
Simone Rocha AW24 Cris Fragkou 18
Simone Rocha AW24 Cris Fragkou 19
Simone Rocha AW24 Cris Fragkou 20
Simone Rocha AW24 Cris Fragkou 21
Simone Rocha AW24 Cris Fragkou 22
Simone Rocha AW24 Cris Fragkou 23
Simone Rocha AW24 Cris Fragkou 24
Simone Rocha AW24 Cris Fragkou 25
Simone Rocha AW24 Cris Fragkou 26
Simone Rocha AW24 Cris Fragkou 27
Simone Rocha AW24 Cris Fragkou 28
Simone Rocha AW24 Cris Fragkou 29
Simone Rocha AW24 Cris Fragkou 30
02
/
31

Simone Rocha AW24

While researching the JPG archive, Rocha was invited to Hampton Court Palace to view Queen Victoria’s mourning gown, and was struck by the similarity in corsetry between Gaultier’s work and the royal dresses, despite differing in almost every other aspect. This preoccupation transfers to this collection, with lace-up corsets and ivory boning appearing on dresses, shirts and even a gauze-like windbreaker.
Photography Cris Fragkou