The whole thing felt bawdy and camp, all ruffed collars and whale-tail g-strings bursting out from beneath Spartan skirts. But the ye olde flair was tempered with hypermodern accents, as Jeffrey took his first steps into AI-assisted design, generating kitsch floral prints and theatrical scenes of a Britain with a well-funded NHS and humanitarian asylum-seeking policies. Click through the gallery above to see the rest of Charles Jeffrey’s SS24 collection at Milan Fashion Week.
Photography Tsele Nthane
