Soundtracked to a new Peaches track, a gloom of pitch-blacks, russet browns, and khaki creams broke into lime-green and pink sequins. It was about finding flickers of hope in dark times, with the designer referencing the Ukraine war, which is now in its thirteenth month. Another horror beyond reasonable comprehension was the arrival of Tommy Cash, who could be spotted walking around the Palais de Tokyo with a prosthetic sheep’s vagina glued onto his groin.
Photography Cris Fragkou
