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This season, showgoers at Bianca Saunders were sat on the outskirts of a domestic television set – with record players, hand-me-down arm chairs, and old-fashioned spotlights propped up against cornflower blue walls. There’s a certain pleasure to be derived from make-believe reproductions of the everyday – its familiarity can often feel uncanny – but for those who had grown up watching Oliver at Large (a comedy set in 1990s Jamaica) it would have felt all the more recognisable.

Photography Cris Fragkou

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