Single lapels were a recurrent motif, appearing across workwear blazers, buttonless jackets, and amply-proportioned skirt-suits, while t-shirts, hoodies, and mesh tops had all been scribbled with graffiti. The whole thing seemed to careen between a teenage naïveté and pent-up adolescent angst, but Sunnei doesn’t like to wax lyrical about the ins and outs of its clothing, preferring to think of its collections as seasonal software updates. And that’s perhaps the main distinguishing feature between Sunnei and Gucci – one brand offers up a wry smile, the other the metaphysical ramblings of a madcap philosopher.
Photography Christina Fragkou
