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Tacita Dean, “Majesty” (2006) 0
Thalia Campbell, “Greenham Common Peace Camp” (c.1982) 1
Tanoa Sasraku, “Whop, Cawbaby” (2018) 2
Tanoa Sasraku, detail from “Swaling Gorse” (2018) 3
Superflux, “Mitigation of Shock” (London) (20190 4
Anwar Jalal Shemza, “Apple Tree” (1962) 5
Chris Killip, “Cottage and coastal erosion, Cranstal, Bride” 6
Claude Cahun, “Je Tends les Bras” (1931) 7
Tanoa Sasraku, detail from “Swaling Gorse” (2018) 8
Gluck, “Flora’s Cloak” (c.1923) 9
Graham Sutherland, “Form over River” (1971-2) 10
Radical Landscapes (2022) 11
Radical Landscapes (2022) 12
Radical Landscapes (2022) 13
Radical Landscapes (2022) 14
Radical Landscapes (2022) 15
Radical Landscapes (2022) 16
Radical Landscapes (2022) 17
Ruth Ewan, “Back to the Fields” (2015) 18
Ruth Ewan, “Back to the Fields” (2015) 19
Ruth Ewan, “Back to the Fields” (2015) 20
Ruth Ewan, “Back to the Fields” (2015) 21
Ruth Ewan, “Back to the Fields” (2015) 22
Radical Landscapes (2022) 23
Graham Sutherland, “Green Tree Form: Interior of Woods” 24
Gustav Metzger, “Liquid Crystal Environment” 25
Henry Moore, “Atom Piece (Working Model for Nuclear Energy)” 26
Hurvin Anderson, “Double Grille” (2008) 27
Ingrid Pollard, “Oceans Apart” (1989) 28
Ingrid Pollard, “Oceans Apart” (1989) 29
Jeremy Deller, “Cerne Abbas” (2019) 30
John Nash, “The Cornfield” (1918) 31
Peter Kennard, “Haywain with Cruise Missiles” (1980) 32
Tanoa Sasraku, “Swaling Gorse” (2018) 33
Tanoa Sasraku, “Whop, Cawbaby” (2018) 34
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Radical Landscapes (2022)

Radical Landscapes, installation view at Tate Liverpool. May 5 – September 4 2022
Tate Photography Matt Greenwood
    • Tacita Dean, “Majesty” (2006) 0
    • Thalia Campbell, “Greenham Common Peace Camp” (c.1982) 1
    • Tanoa Sasraku, “Whop, Cawbaby” (2018) 2
    • Tanoa Sasraku, detail from “Swaling Gorse” (2018) 3
    • Superflux, “Mitigation of Shock” (London) (20190 4
    • Anwar Jalal Shemza, “Apple Tree” (1962) 5
    • Chris Killip, “Cottage and coastal erosion, Cranstal, Bride” 6
    • Claude Cahun, “Je Tends les Bras” (1931) 7
    • Tanoa Sasraku, detail from “Swaling Gorse” (2018) 8
    • Gluck, “Flora’s Cloak” (c.1923) 9
    • Graham Sutherland, “Form over River” (1971-2) 10
    • Radical Landscapes (2022) 11
    • Radical Landscapes (2022) 12
    • Radical Landscapes (2022) 13
    • Radical Landscapes (2022) 14
    • Radical Landscapes (2022) 15
    • Radical Landscapes (2022) 16
    • Radical Landscapes (2022) 17
    • Ruth Ewan, “Back to the Fields” (2015) 18
    • Ruth Ewan, “Back to the Fields” (2015) 19
    • Ruth Ewan, “Back to the Fields” (2015) 20
    • Ruth Ewan, “Back to the Fields” (2015) 21
    • Ruth Ewan, “Back to the Fields” (2015) 22
    • Radical Landscapes (2022) 23
    • Graham Sutherland, “Green Tree Form: Interior of Woods” 24
    • Gustav Metzger, “Liquid Crystal Environment” 25
    • Henry Moore, “Atom Piece (Working Model for Nuclear Energy)” 26
    • Hurvin Anderson, “Double Grille” (2008) 27
    • Ingrid Pollard, “Oceans Apart” (1989) 28
    • Ingrid Pollard, “Oceans Apart” (1989) 29
    • Jeremy Deller, “Cerne Abbas” (2019) 30
    • John Nash, “The Cornfield” (1918) 31
    • Peter Kennard, “Haywain with Cruise Missiles” (1980) 32
    • Tanoa Sasraku, “Swaling Gorse” (2018) 33
    • Tanoa Sasraku, “Whop, Cawbaby” (2018) 34