Photography Federica FioravantiFashion / SS27Fashion / SS27Dries Van Noten SS27 took us on a date to the fake moviesAt Paris Fashion Week, creative director Julian Klausner dressed models in fictional film posters and Old Hollywood accentsShareLink copied ✔️October 2, 2026October 2, 2026Text Hannah Bertolino Photography Federica Fioravanti Dries Van Noten SS27 While AW26 at Dries Van Noten looked to schools as a source of inspiration, the SS27 season saw Julian Klausner take to the cinema. “An actress, after a day on set, takes the streets back to reality,” the creative director wrote on Instagram, explaining the backstory for his Paris Fashion Week show, which looked to old Hollywood glamour to illustrate the joy of getting dressed. “When do we feel glamorous? These are things I had on my mind while working on this collection.” This obviously isn’t the first time that cult films have appeared as a runway reference. To name just a few, there’s Alexander McQueen’s SS96 show where models stumbled onto the catwalk dressed in looks referencing 1983’s The Hunger; Gucci’s AW15 show under Alessandro Michele, which pulled fabric patterns straight from Margot Tenenbaum’s bedroom walls in Wes Anderson’s The Royal Tenenbaums; or Julien Dossena’s ode to Mulholland Drive at Paco Rabanne AW19. This season at Dries Van Noten, however, Klausner invented a series of fictional film references to feature throughout the collection – printing slinky silk dresses, boxy tops, flowing trench coats, and midi skirts with colourful fake film posters. “Lacquer and Lace” reads one title, while others state “Ruffle Her Feathers” and “Vipère: Watch out! She’s venomous!”. Elsewhere, maximalist patterns, subversive silhouettes, and piled-on layers transformed the act of getting dressed into a show in itself. “Playing in front of the mirror, trying things on, getting into a role,” Klausner listed as his references on Instagram. “A red lip, a dazzling brooch, a cinched belt – so little is needed to spark that feeling.” He continued: “We played with symbols of glamour, universal signs with which anyone is familiar, and played them off, looking for the undone rather than the grand.” Here, leopard print tops were tucked beneath sheer jackets, striped shirting and blazers came covered in crystal embellishments, and sensible skirt sets were cut in bright, martini-print fabric – as if old Hollywood actors had stepped out of the screen into 2026. Scroll through the gallery above to see more images from the show Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 30,000+ creatives from around the world.Trending‘Playuncle Farti’: The secretive world of Spotify burner accountsFrom fakemink archive to backfromparadise, what’s really going on with alternate artist profiles on streaming platforms?MusicFashionJT manifested her front row seat at Schiaparelli SS27SalomonFashionJISOO conquers the elements in Salomon's winter campaignMusicI quit headphones for a month to break my ‘doom-listening’ habitMusicThe nominees for the UK Music Video Awards 2026 have been announcedFashionBalenciaga is stealth-selling couture to its ready-to-wear customersMusicImogen Heap: ‘We’re on the edge of a very chaotic period in our story’FashionRomance was in the air at Acne Studios SS27FashionCourrèges SS27: Drew Henry throws his hat in the ring Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy