Photo by Stephane Cardinale - Corbis/Corbis via Getty ImagesFashion / AW26Fashion / AW26Bad Bunny gazes into the abyss at Schiaparelli AW26 coutureThe Puerto-Rican megastar took a break from his world tour to attend Daniel Roseberry’s latest runway show in ParisShareLink copied ✔️July 6, 2026July 6, 2026Text Isobel Van Dyke Schiaparelli couture AW26 Bad Bunny loves Schiaparelli. Earlier this year, the Puerto Rican artist took home Album of the Year at the Grammys wearing custom Schiaparelli menswear, and today (July 6), he’s showing his support for the brand once again, sitting front row at its AW26 couture show. Benito arrived at Paris’ Petit Palais wearing a butter yellow double-breasted suit and a blonde, trompe l’oeil braided hair tie, before taking a seat next to his younger brother, Bernie Martínez Ocasio. Two seats down, Michelle Yeoh and Emma Corrin (dressed as a Schiap bird of paradise) chatted away. Bad Bunny’s appearance breaks up his groundbreaking, sold-out world tour, which stopped in Paris last Friday. He doesn’t perform again until this Friday, which means, with any luck, the rapper might stick around for a few more couture shows (fingers crossed for Chanel tomorrow). This morning’s show kicked off the AW26 couture season in the French capital, and as he always does, creative director Daniel Roseberry pulled out all the stops. As a key figure in the surrealist movement, Elsa Schiaparelli’s designs often included optical illusions and collaborations with artists such as Salvador Dalí and Leonor Fini. In keeping with that spirit, Roseberry’s vision for the brand has always leaned into its trompe l'oeil DNA – things are never what they seem at Schiaparelli. This season, the American designer swapped satin and velvet for silicone, creating full busts from clay before casting them in the rubbery material – modelled by Amelia Gray and Karlie Kloss during the show. “We did this humanoid, Prometheus-inspired bodice, which is the shape of the corset,” Roseberry explained. “It’s an augmented version of reality.” At the back of the bodice, the silicone is pierced with eyelets to create the illusion of a spine. Standout looks from the show, titled The Abyss, looked like they’d been recovered from the ocean floor. There were inky-black latex looks that sprouted bouncing tentacles, resembling The Little Mermaid’s glamorous villain, Ursula, whose design was inspired by legendary drag queen, Divine. Then there were the glowing, light-up looks, like bioluminescent deep sea fish. Other gowns were spiked like purple sea urchins, while oyster decorations created a deliberately yonic look. Maybe, for Roseberry’s next show, we’ll see Bad Bunny become Bad Octopus. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 30,000+ creatives from around the world.TrendingThe top 10 freakum dresses from Beyoncé’s hyper-glam B’Day eraTo celebrate the 20th anniversary of the R&B classic, we’re counting down the album cycle’s most impressive looks from 2006 and 2007FashionArt & Photography‘A Scandinavian pixie dream’: Photos from Way Out West festHingeLife & CultureWhat’s the bravest thing you’ve ever done for a crush?FashionAmi Paris enlists its amis for its latest campaignMusicRanking Beyoncé’s unreleased B’Day tracksMusicThese are the standout sets from Reading Festival 2026Art & PhotographyNew art, music and ‘photographic encounters’ from Dazed Club membersLife & CultureThe deadly implications of Wales’ trans healthcare ‘pause’MusicThe 5 best tracks from Adéla’s debut album, Prima Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy