Jean Pierre Braganza has stuck resolutely to what he knows which is plenty of strong and structured tailoring where dresses hug every curve and the seams purposefully create defined lines on the body. The palette stuck to black, aubergine with glimmers of navy, ending with the digital prints that Braganza has been introducing in the past few seasons. Shoulders were strictly rectangular without being overpowering. Shiny leather panels were used to adorn shoulders, trousers and of course invaded fur-collared jackets. The final prints were cut into both long and short bodycon dresses that looked to depict apocalyptic visions.
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